Mac Davis recorded a version of the song for a greatest hits album released in 1979. As Malinkewitz was recording under the pseudonym L-Viz at the time, some broadcasters in the UK credited the record to El Vez by mistake. In 1996, a 'Fugees-esque' hip-hop trio called Ghetto People had a top ten hit in the German charts with a version recorded with local singer Detlef Malinkewitz. In 1990, The KLF used a sample of the Elvis recording in their ambient DJ album Chill Out, while a year later Norman Cook issued a dance version with his Beats International collective, which reasched number 44 in the UK charts. The Spanish singer and actor Enrique Castellon Vargas, also known as "El Principe Gitano" (The Gypsy Prince), recorded a version of the song, a version sung with such a thick Spanish accent that the English lyrics were almost uninintelligible. The Voice, Bad Lieutenant, Fair Warning, Beats International, Eleanor Shanley, Jim Goad and Chris Clark. Among them were Sammy Davis Jr., Marilyn Manson, Natalie Merchant, Tracey Chapman, Susan Cadogan, Candi Staton, Dolly Parton, Bobby Blue Bland, Bobbie Gentry, Nick Cave and the Bad Seeds, Ian Stuart Donaldson, Weeping Willows, Dolores O'Riordan singing with The Cranberries, Merle Haggard, Leatherface, Three Six Mafia, DNX vs. The song was released on iTunes.Īfter Elvis Presley, the song has been performed by many other artists. The song was recorded in 2007 by Lisa Marie Presley as a duet to raise money for the Presley Charitable Foundation. Sales+streaming figures based on certification alone. ^ Shipments figures based on certification alone.
The feeling of an inescapable circle is created by the structure of the song, with its simple, stark phrasing by the repetition of the phrase "in the ghetto" as the close of every fourth line and finally by the repetition of the first verse's "and his mama cries" just after the beginning and as the close of the last verse. The song ends with another child being born in the ghetto, and implies that the newborn could meet the same fate, continuing the cycle of poverty and violence.
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The boy grows up hungry, learns how to steal and fight, purchases a gun and steals a car, tries to run, but is killed. This version started without pause at the end of another hit from 1969, " Don't Cry Daddy".Ī boy is born to a mother who already has more children than she can feed in a Chicago ghetto. It was a staple of his shows in the first two seasons, however in his third (August/September 1970), he included it only once, at the dinner show on August 13, for the benefit of the Metro-Goldwyn-Mayer cameras filming the documentary Elvis: That's the Way It Is (1970). It was a number-one hit in West Germany, Ireland, Norway, Australia and New Zealand.Īs a major international hit, Presley included it in his setlist during his return to live performances at the International Hotel in Las Vegas in 1969. It was his first UK Top 10 hit in three years, also peaking at No. The song was Presley's first Top 10 hit in the United States in four years, peaking at number 3, and number 2 in Canada. The song was published by Gladys Music, Inc., Elvis Presley's publishing company. Other hits recorded at this session were " Suspicious Minds", " Kentucky Rain", and " Don't Cry Daddy". It was Presley's first creative recording session since the Elvis '68 Comeback Special. "In the Ghetto" was recorded during Presley's session in the American Sound Studio in Memphis, Tennessee.
The version recorded by Presley is played in the key of B flat. The lyrics to the song were written by country music songwriter and singer Mac Davis. 6.1 Nick Cave and the Bad Seeds version.That’ll be on my tombstone, ‘I was still working on that last verse.'”Īs for Davis, he launched a solo career soon after, landing a #1 hit in 1972 with “Baby Don’t Get Hooked on Me.” Outsider. I do remember thinking that I should have written another verse for it. Kind of the way that I played guitar on the demo is the way they recorded it. That’s the way I read it,” Davis tells Sharp.ĭavis continues, “I loved Elvis’ version of ‘Don’t Cry Daddy.’ I thought it was really poignant and really sweet. But it got real quiet in there when I sang ‘Don’t Cry Daddy.’ Elvis loved it and said, ‘I’m gonna record that for my daddy.’ He wanted to record it for his daddy relating it to his mother’s passing. I went over to Elvis’ house and played him a bunch of stuff. This was before I put the tape together for Chips Moman of my songs. “I played ‘Don’t Cry Daddy’ live right there for Elvis. Mac Davis shares with author Ken Sharp about the time he presented the song, “Don’t Cry Daddy” to the legendary singer.
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